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Omeros, by Derek Walcott
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A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events -- the tribal losses of the American Indian, the tragedy of African enslavement -- and the interior, unwritten epic fashioned from the suffering of the individual in exile.
- Sales Rank: #151030 in Books
- Published on: 1992-06-01
- Released on: 1992-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .93" w x 5.47" l, .97 pounds
- Binding: Paperback
- 336 pages
Amazon.com Review
Creating an epic poem based on Homer and Odysseus seems a risky proposition for a modern poet, but Derek Walcott accomplishes the feat with stunning results in Omeros. The title, which is Homer's name in Greek, nods to the wandering and exile of the great poet himself, who learned and suffered while traveling. From there, Walcott takes off to "see the cities of many men and to know their minds." After an exhilarating exploration of tremendous proportions, we learn of the past and the present and ride along the rhythm of the words of Walcott in this amazing text.
From Publishers Weekly
This magnificent modern epic by poet-playwright Walcott ( The Arkansas Testament ) follows the wanderings of a present-day Odysseus and the inconsolable sufferings of those who are displaced and traveling with trepidation toward their homes. Written in seven circling books and magically fluid tercets, the poem illuminates the classical past and its motifs through an extraordinary cast of contemporary characters from the island of Santa Lucia: humble fishermen Achilles, Philoctete and Hector; a feverishly beautiful house servant, Helen, who incites her own Trojan War; a local seer, Seven Seas; and the narrator himself, who wanders to the States, to Europe and back again although he knows, "the nearer home, the deeper our fears increase, / that no house might come to meet us on our own shore." Singularly ambitious, and as moving as the works of its namesake, Omeros (Greek for "Homer") remains accessible despite its complexity and divergent strains, which include the privations of Native Americans, African natives and exiled English colonials.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
If you can buy only one Walcott title, get this Carribean epic. Farrar will release his newest, The Bounty, in June.
Copyright 1997 Reed Business Information, Inc.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Evocation
By Roger Brunyate
OMEROS, the eight-thousand-line poem that undoubtedly clinched Derek Walcott's Nobel Prize in 1992, is a lithe glistening marvel. Like some mythological creature, it twists and turns before your eyes, seldom going straight, but shifting in space and time, sometimes terrible, sometimes almost familiar, always fascinating. Book-length poems (I am thinking of things like Byron's DON JUAN, Browning's THE RING AND THE BOOK, and Vikram Seth's THE GOLDEN GATE) might almost be thought of as novels in verse. Almost, but not quite. Most novels tell their story in more or less linear fashion, but poetry works not by explanation but by evocation -- and at that, Walcott is a master.
And what does he evoke? First and foremost, the people and landscape of his native Caribbean island of St. Lucia. The watercolor on the cover, as though by a tropical Winslow Homer, is in fact by the poet himself. Google his paintings and you will see his extraordinary eye for character and color, qualities that shine equally clearly through his words. Omeros is the Greek spelling of Homer, and on one level the poem is a West Indies version of the Iliad, with two fishermen, Achille and Hector, fighting over the beauty of a local Helen, housemaid to a British expatriate couple. The poem begins in epic fashion with the building and naming of boats, and there are other Homeric allusions throughout its seven long sections. But much of its strength comes from the fact that it does not translate the Iliad into a petty local soap opera, but rather starts from the reality of people and a place that Walcott knows well, and elevates it by evoking a classical ancestry.
Furthermore, this story is only the armature around which many other histories may be spun. Some are stories of conflict, such as the great naval Battle of the Saints, fought between the British and the French in 1792 in the waters around the islands. One of the midshipmen in that battle may have been a distant relative of Major Plunkett, the retired soldier who has lived on the island for many years with his Irish wife Maud, employers of the beautiful Helen; the Major's own experiences in India and in the Western Desert are another part of the narrative. There is also St. Lucia's history as one of the points of arrival at the end of the Middle Passage in the slave trade, and in one of the most striking sections Achille is led by a flying sea-swift back in space and time to rejoin his own ancestors in their river village in West Africa. Other sections of the poem deal with the exile, starvation, and massacre of the plains Indians in the 19th century, as seen through the eyes of contemporary activist and fellow artist Catherine Weldon. And behind all that is Walcott's lament for the loss of the original native inhabitants of the islands, the Aruac peoples.
Though epic in structure and content, this is also a very personal poem. Walcott himself appears as a figure in it, in settings as diverse as Brookline, Massachusetts (where he wrote much of it), and cities such as Lisbon, Istanbul, London, and Dublin. He portrays himself as wounded in love, mourning his own lost Helen, and trying to understand his own biracial heritage and spiritual relationship to a father he hardly knew; it is not coincidental that the Wikipedia article on the poet includes a photograph of President Obama carrying one of Walcott's books. In the beautiful final section of the book, Homer himself takes the poet by the hand and leads him through the ashes of a volcano, like Virgil escorting Dante through the Inferno. Somehow all the many themes of the book get gathered into one, and three millennia of love and conflict, loss and inspiration, come together in this one place at this one time and in the mind of this one man.
[For a note on the verse, see the first comment.]
0 of 0 people found the following review helpful.
Masterpiece.
By R. Henley
This epic poem is a wonder, and should be considered a masterpiece. It is so layered and thoughtful, dreamlike and emotional, it was hard to put down. The lyrical quality of the poem is exquisite, and the trauma in the poem troubling. It calls out the colonialism of Europeans on Africa and the Caribbean while presenting the damaging aftereffects. How does a culture continue after such experience? The poem explores that.
0 of 0 people found the following review helpful.
Well it's an amazing book: fun to read and brilliant poetry
By Amazon Customer
Well it's an amazing book: fun to read and brilliant poetry.
Also I got a hard copy when I ordered a paperback, which was a wonderful surprise.
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